I currently shoot with a Sony A7III paired with the Sony 24–70mm GM f/2.8 and the 70–200mm GM f/2.8, which gives me a lot of flexibility throughout the wedding day. This setup lets me cover everything from wide storytelling moments to tight, emotional candids without missing a beat. The fast f/2.8 glass performs great in low light and delivers sharp, consistent images, while the dual-lens combo allows me to work efficiently and stay out of the way when needed. It’s a reliable, professional setup that’s well-suited for fast-paced wedding days and works seamlessly alongside a main shooter.

I’m always happy to follow whatever plan or timeline you have in place for the day and work in a way that best supports you. My goal as a second shooter is to make things easier, whether that means sticking closely to your shot list, covering alternate angles, grabbing details, or stepping in wherever help is needed. I stay flexible, communicate clearly, and do my best to anticipate what you might need so you can stay focused on leading the day.